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about KROMA
KROMA history
Acrylic paints were first developed for
industrial application in the early part of the twentieth
century making use of new synthetic resins. During the fifties,
artists became aware of the possibilities of the medium
and acrylic colours began to be formulated specifically
for fine art applications. Mexican muralists, requiring
paint that would withstand harsh conditions, were among
the first to test this durable new medium. By the late sixties
acrylics had become an important new addition to the artist’s
repertoire of painting materials.
In 1970 Gordon Payne began KROMA industries, dissatisfied
with the availability and cost of acrylics in his own career
as a painter and educator teaching at UBC. When Granville
Island was rejuvenated by the Federal Government in the
1970s, transforming disused industrial warehouses under
the Granville St. Bridge into a center for artisans and
culture, KROMA found a space in the Net
Loft building, where it has been in business
ever since. Initially Gordon concentrated on a modest range
of colours and packaged in large sizes, selling mainly to
educational institutions and to professional artists who,
in this era of abstract expressionism, often went through
large quantities of paints.

Gordon Payne in his studio
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Kevin Head
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After helping casually at the shop as
a teenager, Kevin Head joined Gordon full time as an assistant
in 1992 having completed his diploma at Emily Carr College
of Art. In 1993 Gordon Payne left the day-to-day operations
of the shop to concentrate on painting at his studio in
the gulf islands. Since then Kevin Head has run KROMA while
Gordon retains joint ownership of the company.
Production methods have been continually
refined and paint formulations developed. Each year several
new colours are added to KROMA’s palette, most recently
a range of cadmium yellows and reds. In 2000 KROMA began
to package in tubes, a change that found our paint reaching
a broader range of painters who use smaller quantities of
paint, or who find dispensing from a tube more convenient.
KROMA’s steadily expanding business has meant that
today Kevin is assisted by a growing team who help in production
and in running the shop allowing him to do lab work and
continue product development. Our increased volume has meant
the need for extra space. While all the milling, mixing
and packaging still takes place in our Granville Island
shop, which is open to the public six days a week, In 2003
KROMA expanded into a warehouse in East Vancouver where
the initial stages of paint-making now take place, and where
raw materials and packaging are stored. We opened our warehouse
to the public for the first time in November 2004 for the
annual EastSide Culture Crawl.
Kevin has often worked with individual artists to create
custom colours for specific projects, and as a technical
consultant. In 2004 Kevin collaborated with the instructors
in the fine art department of Langara College to formulate
a range of lightened colours for use in colour theory work
called the full
spectrum group.
In 2005 we introduced new
packaging for our 60ml and 150ml tubes that replaces
our clear plastic tubes in these sizes. The new tubes are
made in Canada of a metal/ plastic laminate which provides
a non-permeable barrier for the paint and less "suck
back" of air when dispensing paint: better for the
paint; better for the painter.
 
old packaging / new packaging
Read
about the paint making process >>
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