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5 colour group
set
10 colour group set
15 colour group set
15 colour plus group
set
Full Spectrum
Group
5 colour group
set
This set contains a cool red blue and yellow; the process
primaries, plus black and white. Selected to create the
broadest range of hues using only limited pigments and their
blends.
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Titanium white |
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Mars black |
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Phthalo blue |
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Quinacridone red |
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Benzi yellow |
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5 x 60ml tubes = $20.00
5 x 150ml tubes = $38.25
5 x 250ml tubes = $48.50
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to order form
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10 colour group
set
Selected to create the broadest range of colours
using only ten pigments and their blends.
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Titanium white |
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Mars black |
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raw umber |
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yellow oxide |
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ultramarine blue
(red shade) |
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Phthalo blue |
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hansa light yellow |
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hansa medium yellow |
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naphthol light red |
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quinacridone red |
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This set contains a warm and a cool of
each of the primaries; one which is semi-transparent, one
which is opaque, plus two earth tones, for desaturating
the colours, and black and white, for creating tints and
shades.
10 x 60ml tubes = $40.00
10 x 150ml tubes = $70.00
10 x 250ml tubes = $87.00
save over 10% on the cost of individual tubes or jars
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to order form
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15 colour group
set
Selected to create the broadest range of colours using only
fifteen pigments and their blends.
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titanium white |
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mars black |
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raw umber |
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yellow oxide |
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red oxide |
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chromium oxide green |
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ultramarine blue (red
shade) |
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phthalo blue |
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phthalo green |
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benzi yellow |
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hansa medium yellow |
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arylide yellow |
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naphthol light red |
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quinacridone red |
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dioxazine violet |
This set contains the same colours as the
ten colour set, plus dioxazine violet, phthalo green, arylide
yellow, a red and a green earth tone. These additions allow
you to
achieve a fuller range of colours with less mixing, and
makes it easier to create clean hues in the secondary colour
areas of purple, orange, and green.
15 x 60ml tubes = $60.00
15 x 150ml tubes = $112.00
15 x 250ml tubes = $140.00
save over 10% on the cost of individual tubes or jars
go
to order form
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New
15 colour PLUS set
Introducing our latest group set. All the colours in the
fifteen colour set with the addition of Gesso and Clear
Gel and larger sizes of the colours you need most.
| 250ml: |
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titanium white |
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Gesso
Clear Acrylic Gel Medium |
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| 150ml: |
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quinacridone red |
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phthalo blue |
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benzi yellow |
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|
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| 60ml: |
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mars black |
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raw umber |
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yellow oxide |
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red oxide |
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chromium oxide green |
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ultramarine blue (red
shade) |
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phthalo green |
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hansa medium yellow |
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arylide yellow |
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naphthol light red |
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dioxazine violet |
Price |
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80.00 |
Full Spectrum
Group
tonally adjusted artist’s acrylic colours
created in collaboration with Langara College colour theory
instructors
Price
11x 60ml tubes = $45.00 CDN
11x150ml tubes = $85.00 CDN
individual 60ml tubes from $3.75 CDN
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to order form
The colours in this set have been selected to create a full,
highly saturated spectrum.
To even out the tonal shifts that naturally occur from colour
to colour (violet being darker than yellow, for example),
the darker pigments have been adjusted with precise additions
of zinc white to create a smooth tonal gradation across
the colour spectrum. This allows the student of colour theory
to identify and explore the shifts between colours clearly,
without being confused by tonal shifts.
Also included in this group are zinc white and bone black,
for use in exercises involving tone, saturation and shade.
As Zinc (sometimes known as mixing white) is a more transparent
white than the more familiar Titanium white, its addition
lightens colours while allowing them to remain saturated,
whereas titanium white, being more opaque, hides more of
the colour that it is added to, making more subdued "pastel"
tints.
Bone black has been selected, rather than Mars or Carbon
black, because of its matte sheen and relatively low tinting
strength, which makes precise tonal adjustments in small
increments easier to achieve, than when using high tint
strength blacks.
Gouache has traditionally been used for exercises in colour
theory because the addition of white fillers to the pigments
makes the colours easily visible and creates uniform opacity.
By adding white to artist’s acrylic colours in a systematic
way that is unique to the needs of those studying and teaching
colour theory, we have designed a palette that combines
many of the qualities of gouache with the advantages and
affordability of acrylics. We have worked with the instructors
at the faculty of Fine Arts at Langara College, in Vancouver,
B.C., to create a paint system for teaching colour theory
that would improve on the performance of gouache in a classroom
setting. Unlike gouache, which is resoluble once dry, acrylic
paints dry to a flexible waterproof film, a finish that
is more robust and less vulnerable to marring, and which
makes over-painting to correct mistakes easier. As designer’s
gouache is used in work intended for reproduction, permanence
may not be a requirement. All the pigments used to make
KROMA artist’s acrylics have excellent light-fastness,
and are suitable for use in all kinds of fine art or craft
applications.The colours in this wheel have been blended
without the addition of black or white.
They represent a fraction of the potential steps available
from this palette.
5
colour group set | 10
colour group set | 15
colour group set
15
colour plus group set | Full
Spectrum Group
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